We had been in the middle of shooting the Guild's "Game On" music video when Felicia pulled me apart to share some exciting information. She had simply worked out a deal to jot down and star in an internet collection based on BioWare's hit video sport, Dragon Age. She was overflowing with ideas, and asked if I might come on board as Production Designer to assist her bring the cyber world into actuality. I knew the sport. I knew the depth of the art. I knew the extent that the sport developers over at EA went to in terms of detailing their worlds. I knew that taking on this project would mean that I could be main my art division into the actual life equivalent of storming Kirkwall. This was not creating a few fantasy scenes in an internet present. This was not The Guild Hall! This would be constructing a whole world from scratch. But it was too exciting an opportunity to not jump in with each ft. Picture 1: But I had one unusual situation.

It was anticipated of me to create sets, and props, and monsters. However I wanted to design Felicia's costume. I knew her character can be at the center of all the pieces, and that i needed to work along with my good friend at trying to create one thing legendary. Photograph 2: It was really an honor to have the ability to design Felicia's costume for the online sequence, but it surely was a life lengthy dream come true to have that design be built-in into the actual Dragon Age sport! I might hardly imagine it once we obtained the information that our additions to the DA world would come full circle to find yourself back in the game. Picture 3: Right here is my first sketch of Tallis. It was a fast marker rendering I did on a aircraft coming back from San Fran! In the Dragon Age: Redemption lore, the character of Tallis is an Elf, but raised Qunari. I wished to replicate the aesthetic influences of both races in the costume. I chose leather-based for the main material, with small cast iron details, and wove Qunari symbols into the patterns.

I studied quite a lot of BioWare artwork work, and worked intently with the game builders to ensure I stayed within the type of the world that they had created. The only main change in the final design from my first sketch was the removal of the "tortoise shell" shoulder and knee pads. I really needed to do something radically completely different from anything else in the game, and wished to trace at Tallis's back story. But I assume it ended up feeling TOO uncharacteristic for the DA universe, so we changed to the leather pads, woven in Qunari patterns, that you simply see in the photographs above. To find more regarding zentai spandex for sale look at the web-page. Picture 4: Felicia and that i agreed early on that the Tallis costume needed to be very kind fitting. From my expertise engaged on tremendous hero motion pictures, I learned that there was only one certain strategy to make physique armour fit perfectly, and that was by creating it round a full body forged.

So, much to Felicia's dismay, I lined her in pounds of organic impression material known as alginate. This is the same stuff a dentist would put in your mouth to make a mold of your teeth. It takes about 5 minutes to dry, and becomes very rubbery. Picture 5: The alginate is too versatile to help itself, so a rigid backing of plaster bandage must be utilized. Unlike a medical forged to carry a broken bone in place, this is completed in multiple sections, in order that it may be separated to let Felicia out! Photo 6: As I discussed, I wanted a FULL body solid! Photograph 8: And eventually, her ears for the Elf ear appliances. I wager Felicia can't wait to do all that again some day! Photo 9: After the body casts have been eliminated, we created a positive physique type by fiberglassing into them. Right here, Bryan fuses the 2 halves of Felicia's legs collectively. Picture 10: I poured 1630 urethane into the alginate casts of Felicia's ears, and then used mushy Leisure clay to create a base with keys.

This made it simpler to mold the completed ear sculpts later. These ear form bases have been handled like sculptures at this stage, and acquired silicone molds made of them so I could forged strong versions to really sculpt the elf ears on. Photo 11: When the base varieties were complete, I used roma plastalina to sculpt Felicia's Elf ears. BioWare despatched me the 3D property of Dragon Age II Elves, and their ears had been definitely bigger than the standard "elf"tips you buy at a Halloween store. I actually wanted to honor all of the game's designs, so I tried to stability the dimensions of the ear between the in-recreation characters and Felicia's proportions. Photo 12: I went with silicone appliances for Felicia's ears. The material is considerably dearer than foam latex, but it surely provides a translucent quality that looks extra like actual skin. I figured it can be value the price to make the lead character look wonderful. This was the check pair that was run to see if we had a great color match.